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At the Heart of Horror: Valjeanne Jeffers, Remembered

Around this time last year, I was interviewing authors for the Horror Writers Association’s Black Heritage Month blog series when I received the heartrending news that Valjeanne was coming toward the end of her life. She let me know that she was very ill, and asked if I could interview her over the phone, rather than via email, because of her illness. I said yes, of course, and proceeded to type up her answers as she dictated them to me over the phone. Valjeanne told me at the time that she didn’t think she’d be around very much longer. I asked her if there was anything I could do, and she spoke in glowing terms of her longtime boyfriend Quenton Veal checking on her regularly.
Just six months later, she was gone, taking her remarkable light from the world and leaving so many of us grieving. Nonetheless, her legacy lives, not just in her body of work but in the way she impacted virtually everyone with whom she came into contact.
Valjeanne was an exceedingly kind and warmhearted woman, known to many of her friends and loved ones as Sister Moon, which was her email and social media tag. Thaddeus Howze spoke of this in his memorial piece honoring her, “A name to conjure by: Sister Moon, Valjeanne Jeffers,” which ran in the San Francisco BayView.
Like Thaddeus, I never had the honor nor pleasure of meeting Valjeanne in person, though we were on many of the same virtual convention panels (particularly during the extended stay-at-home period at the start of the COVID-19 pandemic), and we had also spoken over the phone several times.

Valjeanne was one of the writers I profiled on my original list of 60 Black Women in Horror, which I put together back in 2013. Although I didn’t know her at the time, I met her the following year and interviewed her for my blog.
The first time I spoke to her on the phone, I remember her patiently explaining how to pronounce her name, Valjeanne. She was named after Jean Valjean from the Victor Hugo novel “Les Miserables” and her name was pronounced the same way, the “Jeanne” is pronounced more like “Joan” than “Jean”—most accurately, like something halfway between “Joan” and “John”, just like Jean-Luc Picard on Star Trek. Her mom was a huge fan of the play.

If you haven’t read any of her work, I encourage you to start here: Valjeanne’s stories have appeared in many anthologies – Steamfunk (2013); Griots: Sisters of the Spear (2013); Sycorax’s Daughters (2017); The City: A Cyberfunk Anthology (2015); Blacktastic: Blacktastic Con 2018 Anthology (2018); Dark Universe: The Bright Empire (2018); Luminescent Threads: Connections to Octavia Butler (2017); Blerdrotica I: Sweet, Sexy, and Special Dark (2020); Fitting In: Historical Accounts of Paranormal Subcultures (2016); and The Ringing Ear: Black Poets Lean South (2007), among others.
Valjeanne, in addition to being extremely talented and prolific, was the salt of the Earth. She was a warm, kind person who was extremely well-loved by everyone who knew her. I had the pleasure of sharing a number of tables of contents with her, including the anthologies Scierogenous II: An Anthology of Erotic Science Fiction and Fantasy (2018), Black Magic Women: Terrifying Tales by Scary Sisters (2018), Slay: Tales of the Vampire Noire (Mocha Memoirs Press (2020), Horror Addicts Guide to Life 2 (2022).

She had two series under her belt, The Immortal Series (2009, 2010, 2010, & 2021; about star-crossed shapeshifters), and Mona Livelong: Paranormal Detective (2014, 2016, & 2021). She also wrote The Switch: Clockwork (2013; a steamfunk crossover with the “Immortal Universe,”) Colony: The Ascension (2020; a space opera) and Southern Comfort (2016). She was a luminary in the steamfunk subgenre, as detailed in my San Francisco BayView remembrance of her, “The Queen of Steamfunk.”
You can find many writings by Valjeanne, along with interviews and podcasts of her, by searching her name on HorrorAddicts.net. Her short story “The Lost Ones” can be heard on the Nightlight Podcast.

I shared a table of contents with her for what is likely the last release of her new original work, Blerdrotica II: Couple’s Therapy, which was released in December 2022, half a year after she joined the ancestors. I still recall speaking on Facebook with Valjeanne, Quinton, and another friend James Goodridge about how excited we all were to have been accepted into it. The fact the anthology came out after her death has given me many moments to reflect anew on her loss.
In my heart, I keep forgetting that she isn’t going to be at the book release event or conventions, that I couldn’t ask her for an updated bio for Black Women in Horror Month, that despite the many online panels we were on together I would now never be meeting her in person. Valjeanne was one of those people who always showed up, who could be relied on, whose presence brightened the spaces in which she participated, and the presence of her absence still breaks my heart.
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Introducing the 2023 BWiH Magazine – Special Edition!
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February is Black Women in Horror Month!

February is Black Women in Horror Month!
February may be the shortest month of the year, but the LOUDEST month when it comes to celebrations, recognitions and tributes. In 2013, February became the official Black Women in Horror Month, and each year we happily rev up at this time to celebrate the bold voices and lasting impact of black women in the horror industry.
This year, as we mark the 10th anniversary of the first Black Women in Horror list series, and 5 years after the last major update to the series, Kenya Moss-Dyme of Colors in Darkness, and Sumiko Saulson, who put together 100+ Black Women in Horror, are revitalizing the series with the launch of the BlackWomenInHorror.org website. We will start off by debuting a new series of interviews, but over time, we will honor not only trailblazers like Octavia Butler, Tananarive Due and L. A. Banks, we also recognize the women creating art and showing up every subgenre of the field. From books to film; from paranormal, sci-fi, dark romance to bad ass monsters, BWiHM will kickoff a celebration that’s far too big for one month – we’ll be following these creatives all year long!
We’ve only got 28 days so let’s make the most of it! Join us as we introduce you to the women who show up in every space of the horror universe – some you may know, but many who will become your newest darlings.
Is there a Black Woman in Horror that we should know about? Someone who was not on the original list and should be added as we improve and increase it? Old bios that should be updated? You can be a part of improving, updating, and increasing the list! Contact Sumiko Saulson at sumikoska@yahoo.com if you have any suggestions for writers who should be on the list, including yourself!
Watch this space for more information, news and links to BWiHM celebrations across all media.
Follow blackwomeninhorror.org to stay in the know.
Like and Share, and Tag us in your own posts about Black Women in Horror all throughout the month of February and use the #BWiHM and #BlackWomenInHorror hashtags!
Sumiko Saulson: @sumikoska on FB, Twitter and Tik-Tok and @sumikosaulson on IG
Kenya Moss-Dyme: FB: @kenya.mossdyme, Tik-Tok & IG: @kenyamossdyme
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Dogwoods
by Nicole Givens Kurtz
“Late bloomers have the prettiest blooms,” Sadie’s momma said, after she tapped her on the head with the comb. “So, stop squirmin’.”
“It’s too tight.” Sadie winced, sucking in air to offset the pain. Her scalp burned like someone had set fire to it. She put her hands in her lap and tried to weather the storm, her hands rubbing each other to soothe the pain.

“Tenderheaded. That’s all.” Her momma pinched off a section of hair, and began another braid.
Sadie stifled a groan and squeezed her eyes tight. Once her momma finished the braid, she rubbed a finger full of grease along the parts, oiling her scalp and providing a balm to her irritated skin. The braids still hurt; the hair pulled taut and confined in the creative style.
With her hands sweating, Sadie gritted her teeth and stopped complaining. Not cause her momma’s braiding had stopped hurting. It did, but she wanted to look nice for the Dogwood Arts Festival. It happened once a year in Knoxville and she loved the early spring weather. Fresh grass, the flowers’ sweet smells and the pollen, giving everything a yellow hue.
Other places had festivals honoring dogwoods, cotton, and barbeque. Heck even bacon. Here in East Tennessee, beneath the Great Smoky Mountains’ rolling hills and purple mountains, the dogwood reigned.
Knoxville laid at the foot of the Smokies, in the valley. Protected to the east by mountains and blessed by the Tennessee River on the west, the city of Knoxville bloomed after the 1982 World’s Fair. Sadie only heard stories. The impact on the small county — the town, according to her momma, caused the town to morph into a metropolis.
“Momma?”
“Yeah baby?” Her momma popped her gum. The rush of spearmint tickled Sadie’s nose. Her hands rested heavy against Sadie’s head.
“Tell me about the dogwoods.” Sadie opened her eyes and waited. She loved when her momma read or told her stories about their people. The truth and all its messy bits her teachers didn’t tell her about in school. That’s what her momma called it—messy bits.
Momma’s stories went back as far as the Dogwood Arts Festival itself. Some of the stories Momma got from Grandmomma, Sadie’s Nana. Knoxville didn’t have a lot of folks who looked like her. Most of Sadie’s schooling had been by middle class white women, some well-meaning, but confined by stereotypical beliefs and hatred, both festering inside and foaming outside in whitewashed facts. So, when her momma talked about history, their history, in her rich, southern drawl, Sadie would disappear into those words melting into the past. Those logs fueled her inner fire to burn through the present’s challenges.
“Well, back in the days, a long time ago, the dogwood was strong, as strong as the oak tree. The people who kilt Jesus used the dogwood to make the crosses people was crucified on. The dogwood was a killin’ tree. So when they kilt Jesus on the cross, God twisted the dogwood, punished it by making its limbs thin and skinny…”
“So no one could be crucified on them any more,” Sadie finished, her heart hammering in glee.
“Right. But just so folk don’t forget, God made the white petals of the dogwood look like a cross, four points, with blood bracketed on the tips where they put the nails in Jesus.” Her momma breathed deep and sad as she started braiding again. “Dunno why you like that story so much. It’s sad, Sadie.”
“It isn’t sad, Momma. It’s beautiful.” Sadie sat up straighter against the couch.
“You a strange child.” Her momma tapped her shoulder. “You done.”
Sadie stood. Her legs ached from sitting, but the searing of her scalp blotted that out. Still, she took the stairs two at a time to get changed. Soon, her cousin, Tina, would be by and together they’d make their way downtown to the festival.

As she changed clothes from her pajama bottoms and tee-shirt and into jeans and a long-sleeved, white University of Tennessee tee-shirt. The words “Go Big Orange” spelled out in vibrant U.T. orange. Sadie thought about the dogwoods. She loved the story, not because of God’s punishment of the dogwood. The trees had been changed. Their strength had been used for evil, to hurt people, to inflict suffering. Unable to stop the people from using them for this purpose, the dogwood had been relieved of the burden. She didn’t see it as a punishment, so much as the dogwood being freed.
No, the dogwoods did not belong to white Jesus or his believers. The dogwood belonged to black folks—southern black folks. Like the dogwood, they’d suffered, blooms of potential sliced off by hatred vile and black as the skin of those they despised. Such “nice folks” capable of such monstrous acts as decorating beautiful grand oak and magnolia trees with bodies as ornaments. Smiling families lined up to take pictures in front of those macabre Christmas trees. Those dark, empty husks, dusty and lifeless, had been her family, her people, her kin.
Sadie sat down on the edge of her bed. Not the dogwood. Its petals already bore the blood stain of death. Mostly, the thick oaks and redwoods found themselves defined by evil.
The faint knocks announced Tina’s arrival.
Sadie slapped on her gold bangle bracelets and her big gold hoop earrings.
“You comin’, Sadie?” Her momma shouted up the stairs to her. “Tina’s down here waitin’.”
Sadie checked her braids in the mirror. Her hoops glistened along with the glossy and thick braids. Her head ached a little, but the rising excitement flooded her with a glow that numbed the pain.
“Yeah. Ready.” She scooped up her pocketbook and headed downstairs.
Once Sadie reached the bottom of the stairs, she found Tina and her momma in the living room. The front door stood ajar, but the screen door remained open. Outside, the lemon-yellow sun beamed in the early afternoon sky. Sadie rounded the short corner and walked into the living room—and a debate.
“That’s so 80s. We done did that.” Her momma stood with her arms akimbo on her wide hips, watching Tina. Her satin, multi-colored headwrap hid most of her hair, except her tight spiral curls around her face. She wore a loose blue dress with pockets and house shoes she wore outside.
Her cousin’s box braids swung about her flared hips as she rotated in a circle, shaking her hip-hugging and strategically ripped jeans. Sadie’s momma laughed, throwing back her head, mouth wide, and humor crinkling the corners of her momma’s eyes.
Sadie shrugged. “Everything dies. But then it comes back.”
The chuckles stopped. Tina turned to peer at Sadie, her forehead wrinkled in confusion.
“You such a weird child.” Sadie’s mom shook her head and with scrunched eyebrows turned back to straightening the living room. The smile left and shadows formed on her momma’s face.

Remnants of the shed hair, combs, and decorative beads littered the couch and rug where Sadie had sat.
Sadie let the words glide off of her. Those labels, strange, and, weird, had become worn and faded to her ears. Blunted like a knife that had been used too much.
“It’s a cycle, like spring. Renewal…”Sadie explained to the back of her momma’s head.
Tina rolled her eyes. “Get your pocketbook.” Her voice dipped so low only Sadie could hear. “Sassy Sadie, let’s go.”
“Bye Momma.” Sadie waved goodbye. The screen door slammed with a whap.
Once they got to Tina’s little Honda Civic, she gave Sadie the once over. “Your braids are poppin’! Dang. They tight!”
“Yeah. Momma just finished them.” Sadie shoved her hands into her jean pockets. Eager to go, she fought to keep her hands busy while Tina fished her car keys out of her pocketbook. The silence filled her with dread. Energy buzzed across her skin like lightning, like Saturday morning on Volunteer Football games.
Her cousin, Tina, lived up the street in a house that lined the edge of the projects’ apartment buildings. Older by four years, Tina had her driver’s license and an interest in art. The Dogwood Arts Festival local art show hosted a high school arts competition. Once the works are judged, students won ribbons and prizes. Tina had a few pieces showing and she wanted to show them off to Sadie. That fact alone took sheer courage. Strength. Tina had blossomed from the poor, clay dirt into a creative flower.
“Ready?” Tina unlocked the car, climbed in, and started the ignition.
“Yeah!” Sadie said with relief. At last!
It seemed to take forever, but in no time, they’d made their way from Cherry Street to downtown Market Street. As Tina parked the car, Sadie rushed out of the passenger side before Tina could remove the key from the ignition. The air felt different. It spoke to her.
“Hold ‘em horses, Sadie!” Tina called.
Sadie paused on the sidewalk. “Hurry up!”
Once she cleared the car, Tina tossed her braids. “I’m coming.”
They melded with the crowds of people streaming toward Market Square, a sea of pale faces with occasional spots of color. The Dogwood Arts Festival’s banners of white, mint green, and pink announced the celebration, but the trees showed off. Reaching high to the sky in all their splendor, they decorated Gay Street, the primary artery into Knoxville’s heart—downtown.
Sadie took in the rows of glorious trees. The tension level swelled. People bumped and jostled as people took in the new blooms, the artists, and vendors selling all manner of items. Southern fried foods’ strong aromas wafted through the air. Pink, green, and white balloons decorated vendor and artisans’ tables and booths along Market Square. The free event swelled with individuals beneath the cornflower blue sky and the occasional white cottonball clouds. Postcard perfect.
Sadie’s Nana used to say firm footing could turn to quicksand in a blink.
Whispers circulated, like snakes slithering between people, hissing in warning, when a sharp burning sensation exploded in Sadie’s chest. Her breath caught and a flash of bright light made her wince. She watched, transfixed, as a scarlet dot on her shirt blossomed across her heart, growing as if time-elapsed had been fast forwarded.
Sadie’s joy gushed out of with her blood. She couldn’t feel anything except the soft, downy dogwood petals brushing her cheeks.
For a crowd of branches, they weren’t shy about revealing themselves. Her face—hot and tight—as the whispers intensified couldn’t move. The trees leaned down close to her, their branches cracking like dry spines, shifting to mutter their wisdom into her ears. Blood roared in her ears as adrenaline flooded her system. She gave a wheezing cough. As she removed her hand from her mouth. An awareness settled on her shoulders.
I’ve been shot.
Life grinded to a halt.
Dogwoods didn’t chase ghosts away. They were ghosts. Of her ancestors, of all ancestors of the strong and betrayed.
This. Was. It!
The moment the dogwoods welcomed her into their fold. All of Sadie’s muscles strained as she lifted up her arms. They cradled her. The ivory petals stained with rust, by blood. Hers? Alarmed, she struggled, but their thin, rough bark tightened.

They whispered, “No matter. No matter. Only blood. We know it.”
With this they bobbed in the breeze, and continued to convey their knowledge, such as the wonders of weather that affected their delicate branches and blooms, their wonderful stories of steam and coal, of feasts and famines, and of freedom.
“You been strong for so long,” one dogwood said. It sounded like Nana.
“It hurts.” Sadie croaked, mouth thick and lazy.
“Come on, chile. Rest awhile. Here…” said another dogwood tree.
“But…” Sadie said, “my momma…”
“…is gonna be alright, after a while,” still another tree explained.
Their branches swayed as if cheering on this viewpoint.
“Hush. Hush,” they soothed.
“Come. Come,” they pleaded.
She savored every promise, every whispered word.
“I dunno…” Sadie started to turn away, to see the others in the marketplace. A coldness crept in chilling her. She shuddered. A grisly, gruesome scene unfolded around her. “Tina.”
“Come on, now. Do not be afraid.” Nana’s voice again. It sounded warm and syrupy with its Southern drawl, thick and sweet.
Sadie’s eyelids grew heavy. Her throat burned, but she managed to say. “My momma, she needs me. I can’t come with y’all, now.”
So hard to talk. Her tongue didn’t want to work right. So tired.
Sadie closed her eyes among the dogwoods’ sweet scent.
“This is Robin Sneed with WBIR Channel 10 at the scene of what can only be described as a mass shooting. This time at the Dogwood Arts Festival downtown in Market Square. Police are asking viewers to avoid the downtown area. The festival, usually a time for joy, spring, and renewal, now is a place of violence and death.”
A few feet away, Tina shuddered beneath the blanket the EMS tossed over her shoulders. Yellow caution tape roped off the area as if some exclusive club that no one wanted to belong—a survivor of a mass shooting. No one wanted the alternative either. Fate dealt her and Sadie a cruel blow. The reporter gave vague descriptions of the shooter. Tina scoffed. That cowardly bastard’s soul was deformed. The cops muttered about his deep-seeded grudges, but Tina knew that evil took root in places folks don’t always expect—and places they do.
The crime scene was a hive of activity. KPD and others dressed in POLICE jackets, buzzed around the area, like flies among the corpses. A flurry of activity sped up and slowed down simultaneously. Was this shock?
“Blood everywhere.” So bright against the white.
Tina’s tears flowed so much her eyes swelled and burned. Noise. Wailing. Screams of sirens switched to soft humming and back again. Everything had become jumbled. Nothing made sense.
“Sadie?” she called out.
A short distance from where she stood, her little cousin, Sadie Griffin lay crumbled on the bricked plaza. She’d felt where she stood. A duo of EMS folks hovered around her, blocking her view. Tina tried to distance herself from them, as if she could melt into the blanket, a makeshift invisibility cloak.
Tina closed her eyes, stomach lurching. The scents of copper and gunpowder hung in the air, staining it with death. She couldn’t even smell the dogwoods any more.
Dogwoods.
Tina pictured Sadie’s meddling with such freedom, but it had cost her. She could still see her, Sadie, practically bouncing in her excitement to be out at the festival. Now motionless. Struck down in her moment of joy.
Tina tasted the salt on her lips. She tasted pain. Grief. Of course, they were salty. Anger burned hot at the injustice of it. The police had caught the gunman—unharmed. That murderer would live.
Would her sweet cousin?
Tina remembered Sadie’s face when the bullet plowed through her. Dogwood petals rained down on her. The wind blew them loose, but it looked like they wept at the ugliness of the day. Her dark, round eyes sparked as she watched the dogwoods sway in the breeze. Tina sighed and wiped her tears. She needed to be strong for her aunt and her family.
For Sadie.
“She’s awake!” Sadie’s momma’s shout seemed to be piped in from far away. Despite this, the wavering thread of relief came through clear and defined. The thick scent of night blooming jasmine hung along with the harsher hints of something else. Confused, Sadie’s eyebrows knitted together. Too much light for it to be night. Sadie’s everything hurt as she tried to move or sit up. She tried to open her eyes, but the lights hurt, too. But in that brief eyeful, she could tell she wasn’t in her bedroom.
“Where am I?” She managed through cottonmouth. Her lips crackled and she winced again. Each motion brought agony. So she tried to stay still.
“Here. Drink.” Her momma handed her a cup of water.
She leaned up on one elbow. Sadie drank, but the I.V. pulled her dry skin on her hand. It bled.
“You at U.T. Hospital.” Her momma rubbed her hair and took the cup.
Hospital? Once her eyes adjusted to the glare and the fluorescent’s harshness, she looked around the room, as much as she could without moving too much. Then, it all rushed back to the forefront of her mind. She’d been shot!
“Momma, the dogwoods!” Sadie said and struggled to sit up fully. The atmosphere shifted as if certain emotion had been vanquished by her newfound secret knowledge. “The dogwoods are alive! More than that, they spoke.”
Maybe Tina heard it too, Sadie thought.
“Shush, baby girl. They gonna be here. Just like e’ry year.” Her momma kissed her forehead.
Suddenly exhausted, Sadie shut her eyes. Those dogwoods wagging their blooms all over town, running the thread about the foolishness of men. Tossing away life like ruined and withered petals.
Sadie knew it because she could almost hear them, chattering at the end of her consciousness. She’d join the dogwoods, just like her Nana. Later. She smiled as warmth spread through her. They’d embrace her in their creaky limbs and petal soft blooms.
She’d be ready.
So would the dogwoods.
Nicole Givens Kurtz is an author, editor, and educator. She’s the recipient of the Ladies of Horror Grant (2021), the Horror Writers Association’s Diversity Grant (2020) and the two-time Atomacon Palmetto Scribe Award Winner (2021 and 2022). She’s also the editor of the groundbreaking anthology, SLAY: Stories of the Vampire Noire. She’s written for White Wolf, The Realm’s The Vela: Salvation series, and Baen’s No Game for Knights and Straight Outta Tombestone. Nicole has numerous short stories published as well as numerous novels and three active speculative mystery series. She enjoys reading scary stories and watching true crime.

You can find Nicole in 100+ Black Women in Horror, a comprehensive guide to some of the most powerful voices on the scene. Click here for a free download of the current version, then come back in March for the newest version updated with dozens of new entries!
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Groundhog
by Kenya Moss-Dyme
The phrase, “You can’t keep a good woman down” takes on new meaning in this short and not so sweet tale about a dinner time standoff between secret lovers.

Fucking liars.With one, she shared a mother; with the other, she shared a bed. But they had betrayed her in the worst possible way – and they would pay, oh, yes, they would pay.
Smile at me, go ahead and ask me about my day as you try to throw me off the scent. But I can smell the guilt and deceit coming out of your pores – or should I say – between your filthy legs!
My loving husband: come and kiss me on my cheek like you’re happy to see me. I’ve trembled a thousand times under your hands on my body but tonight you will tremble under mine.
My dear sister: pick up your eyes from the floor – my face is up here! That’s right, you ARE a fledgling actress, but tonight will be your final curtain call.
Alana paused at the mirror in the foyer to give them time to adjust their clothing. She frowned and plucked two crisp dead leaves from her blonde-tipped locs, adding them to the pile on the small table beneath the mirror.
“What would you guys like for dinner?” She asked, kicking off her pumps.
Keyon’s eyes moved nervously between Alana’s stockinged feet and the deepening red stains in the carpet by the chair.
“Whatever you decide is fine, Constance mumbled without looking up from the pages of a magazine she’d selected from the sofa table.
“Chicken it is.” Alana breezed through the kitchen and into the garage where she peeled away a small pill case taped beneath the fuse box. Humming softly, she began preparing the meal. Never let them see you sweat! After fixing the plates, she turned her back to the living room and crushed a small white capsule into the potatoes on each of their plates.
She’d considered many ways to make them pay for their crime, from disabling the furnace to ensure a carbon monoxide leak, to triggering a house explosion, both of which would be perfect scenarios since she herself would be out of town. But ultimately, her profession provided her with the perfect weapon of destruction in the form of a convenient little pill. – cyanide. She’d dispose of the bodies and then make the “discovery” that the two had simply ran off together. Never fuck with a chemist.
“Dinner’s ready,” she called out sweetly, taking her seat at the end of the dining table so she could watch them devour their last meal.
The treacherous pair shuffled over and took their usual seats at the table.
“I need your share of the rent today, sis,” Alana said, narrowing her eyes at Constance as she took a bite of her food. “Yesterday was the first.”
“I got it, don’t worry – you’ll get it,” Constance sighed and rolled her eyes.
Stay calm, it’ll be over soon. “By the way, I have to drive some drug samples to Ohio after dinner. I missed the courier so I’ll do it myself – will you two be okay here while I’m away?” Of course you will.
Keyon cleared his throat. “Well, I mean, I guess – we’ll manage, we always do.”
You always do IT, you mean!
“I’ve got some lines to rehearse anyway,” replied Constance, shooting Keyon a side glance that was unmistakably full of secrets. Alana cringed and resisted the urge to leap across the table.
“I need hot sauce,” Keyon said around a mouthful of chicken.
The legs of his chair scraped loudly across the floor as Keyon pushed away from the table and passed behind Alana on his way to the kitchen. She opened her mouth to fuss about the scuff marks when Constance suddenly turned sideways and slammed her hand on the table.
“Do it! Do it!” Constance screamed, pounding the table with her fist.
Alana heard the swish of rough fabric and caught the quick flash of the belt as it dropped past her face and tightened against her neck. Fear and confusion took over as Constance taunted her and she struggled to understand what was taking place. Keyon pushed his knee into the back of her chair and pulled harder until he felt a soft pop; Alana’s body went limp.
Constance jumped out of her chair and leaned her weight on her elbows to stare at her sister’s lifeless body crumpled on the floor.
“That’s your rent, bitch!” she spat vehemently. She looked up at Keyon and forced a reassuring smile. “Don’t look so worried – we’re safe now. Let’s get rid of her and start practicing our alibis so you can report her missing.”
Together, they carried Alana to the backyard and tossed her into the hole dug earlier. Keyon emptied a carton of lime over her body to mask the scent of death and they both shoveled dirt back into the hole until she was covered.
Out of breath, they returned to the house and greedily devoured the dinner Alana had prepared before her demise. Murder sure had a way of revving up the appetite.
“One thing I’ll miss about her – she sure could cook!” Keyon mumbled over a hearty belch and dropped his fork loudly onto the empty plate just as his throat began to close.
“I can cook just as good as—.“ Constance stopped mid-sentence and clawed at her stomach as she fell out of her chair, spewing the bloody contents of her stomach across the carpet.
The lovers locked eyes as they lay convulsing on the floor until death thankfully ended their torture.
Alana stumbled barefoot around the side of the house and into the front door. Fucking liars, she thought as she stopped to look at herself in the mirror. She picked a dry leaf from her locs and laid it on the foyer table before entering the living room to greet her disloyal family.
“What would you guys like for dinner?” She asked, kicking off her heels at the door.
“Whatever you choose,” replied Constance, using the tip of her shoe to dab curiously at a red stain in the carpet.
Readers will find that more often than not, a common trait among Kenya’s stories is that the real monsters are people, instead of creatures.
“I love zombies and the supernatural! But there’s nothing scarier to me than HUMANS and the unimaginable depths of depravity of which we are capable. You see it in the news every day and you ask yourself, ‘what kind of monster…?’ That’s what I love to explore in my writing, characters that are like the people you think you know – but you really don’t know after all.

Learn more about Kenya in 100+ Black Women in Horror, a comprehensive guide to some of the most powerful voices on the scene. Click here for a free download of the current version, then come back in March for the newest version updated with dozens of new entries!
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“Regarding Koescu” by Penelope Flynn

“Regarding Koescu” excerpt from “The Renfields” by Penelope Flynn
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Koescu sat straight up in the bed waking in a cold sweat. His heart thumped hard in his chest, but he was grateful to have been delivered from the horror of his dream, his nightmare. But to whom or what did he owe his gratitude? Something had awakened him… a noise… no… a smell. His nostrils were roused by a scent that was heady and sublime. It was exquisite… intoxicating. He had vaulted from the bed and to his feet nearly in the center of the room even before he was aware of it. His senses were sharper than they had been in over two hundred years. He was drawn to the sound of running water from the bathroom. For as long as he could remember his staff had always made it a point to silently draw his bath in the morning. This was the first occasion he had ever recalled having been awakened and hearing the nearly soundless trickle of the water running in the bath. He moved toward the area from where the sound and scent were strongest and was surprised to find his House Manager, Gertrudis leaning over the edge of the tub washing the wide basin, preparing it for his morning rituals. He watched as she moved slowly, painfully. He could smell the wounds from her eighteen lashes. They were still raw and open, and being irritated by the fabric of her uniform. The blood sense, the perfume of blood vented in small and moderate quantity enveloped his body activating all his senses in the same manner that a fine vintage wine’s bouquet enticed the Paradoxan nose.
He looked up to the right and was surprised… but not too much, by the image of himself in the reflector. He didn’t have to touch the vertically hanging water to know that he had again metamorphosed. The powerfully built man who for all the world looked to be in his early thirties with flowing locks of strawberry blonde hair was the man he had always been on the inside… and now after so many centuries here he was again. But this, in and of itself, did not marvel him… not at the moment. At that moment all of his senses were being guided by the erection nearly as thick as his wrist, throbbing and brushing against his abdomen. The fleams that had engaged even prior to him leaving the bed were sharp and bared to their full length. He salivated and his talons emerged as he stood less than a foot behind the tantalizing Gertrudis. He credited himself with managing to hang onto some semblance of self-control as her blood and curves beckoned.

“Gertrudis,” he said calmly, successfully negotiating his tongue around his bared fleams, “You appear to be in distress. What can I do to assist you?”
Gertrudis turned to reply but was struck speechless confronted with the now youthful form of the formerly decrepit Koescu.
She sniffed the air around her and took a deep inhalation in his direction then asked incredulous “M-Most Eminent Koescu?”
“With some changes, yes,” Koescu smiled.
“B-But how?” she stammered still in the grip of amazement.
“We will explore the means in due time. But for now we should address your dilemma…. Come,” he said extending his hand.
Gertrudis accepted the offered hand and stood on shaky legs.
“Under the circumstances, I am certain that you must be very uncomfortable in this uniform,” he said as he guided her toward the bed.
“Oh no, no Majhones. I am fine,” she protested as the large four-poster bed came into view.
“Gertrudis,” Koescu said firmly, “It is clear that you are still injured. I realize that your Renfield managers have made you feel that they are in charge here, but they are not. It is their mischief that has caused this change in me and this harm to you.”
“Most Eminent, I am quite fine,” Gertrudis said, “It will only take me a few moments more to complete the bath.”
“You must allow me to help you, Gertrudis,” Koescu pleaded as he gripped her gently by the shoulders, “I understand your trepidation but I beg you to have faith that going forward I can and will protect you from their barbarous whims.”
The expression on her face confirmed her reluctance, but Gertrudis yielded to Koescu’s request and slowly sat down on the bench near the foot of the bed.
“Ahem,” Gertrudis coughed and turned her head as her positioning placed his semi-erect member squarely in her field of vision.
“A crimson blush crept over his face as he hurriedly retrieved and donned his dressing gown which overnight had become almost painfully snug around the biceps, chest and shoulders.
“I would like to examine the wounds,” he said.
“They are not easily accessible Most Eminent Koescu… I would have to disrobe.”
“Very well, then,” he replied folding his arms across his chest.
Koescu focused on his breathing and on controlling the beating of his heart as Gertrudis efficiently unbuttoned her uniform and peeled the garment down to her waist. The silence in the room was deafening as Koescu viewed Isaac’s handiwork. Gertrudis wore no brassiere. He knew that the lack of the undergarment was not wantonness. He couldn’t imagine that she could have worn one in her condition. The pain would have been unbearable over the eighteen bright red ribbons, a sworn testament to Isaac’s expertise with the lash. Recalling the cruel spectacle and Sebastian’s orchestration of it all, Koescu’s fury was only eclipsed by his stirring bloodlust.
“I-I am so, so sorry Gertrudis,” Koescu lamented, “This is my fault. I should have stood up to him, to both of them.”
“If there is fault Most Eminent Koescu,” Gertrudis responded, “then according to
Renfield protocols the fault was mine. I accept that.”
“Dear Gertrudis, we can sit ‘til nightfall attempting to assess blame and it will still not heal your wounds,” Koescu said firmly, “You should let me help you. The punishment was administered by my blood. I should, therefore by my blood be able to heal the wounds.”
“You forget, Most Eminent Koescu… the blood of my punishment was infused with rose petals—”
“—I know, to keep the wounds fresh—”
“—And to keep an overzealous Majhones from imprudently unwinding a properly sentenced punishment.”
“So that was their game?” Koescu knit his brow in anger, “They believe that this stunt will stem my resolve? If they believe that I will not minister to you simply to avoid a modicum of pain, they are both sadly mistaken.”
“Dear, Most Eminent Koescu,” Gertrudis replied, “That you would even consider such an act to relieve my suffering is salve enough. Believe me. I will be fine. In my lifetime I have withstood worse.”
“I will relieve your pain. These rose petals are but a trifle,” Koescu snorted.
“Believe me, they are not. Were a Paradoxan Revenant to attempt what you are suggesting, the pain would be intense, but for you… a child of Abyssia; coming into contact with the rose-infused blood would be a torment of unthinkable measure. Leave this as it is, Most Eminent. The punishment was just. I will endure.”
“No,” Koescu said firmly gripping her by the shoulder, urging her to stand and then turning her to face the bed.
He leaned her forward declaring, “The Praefect and the Regent may manage all Renfield affairs, but I am still Majhones of this household. By my order, by my blood you are to remain still until I have tended to all these wounds. Am I understood?”
“Yes, Most Eminent Koescu,” she answered just barely over a whisper.

Koescu examined her back. Eighteen individual ribbons of red, eighteen times his tongue would be required to run from shoulders to rump. That didn’t seem an insurmountable task, however even as he leaned forward to begin, the burning, acrid scent of roses wafted upward to singe his nostrils, threatening to suffocate him. At a distance the only thing his hungry senses could appreciate was the blood. But close to the wounds the rose scent was overpowering. He drew back sharply, turning his head to inhale over his shoulder then a second time moved into position to begin the healing process.
He began as close to the center as he could determine, raked his tongue over his left fleam drawing blood then instantly held his breath and delivered a long measured lick from the tail end of the mark near her spine up to the area near her neck. He didn’t want to think about the stinging as he quickly ran his tongue back downward catching the stripe that ran to the left of the one where he began. Again he raked his tongue over the left fleam then ran his tongue upward. It seemed that the change in direction set off a new more intense level of discomfort and he gasped in pain as he completed the fourth stripe. By the time he had addressed stripe number six, his lips and tongue had begun to blister. He refused to consider the fact that he was only one-third of the way through the process. When he arrived at the ninth stripe he worried that his tongue would not be able to produce sufficient blood to continue. Additionally, he realized that he had made a mistake by swallowing between applications and now the rose infusion was burning its way down his throat doubtless scorching his entrails. But despite the broken blisters that covered his lips and tongue and the inflamed condition of the membranes in his mouth he persevered. A consistent stream of saliva ran from his mouth uncontrolled even as he arrived at the thirteenth mark on her back.
The only positive element in the scenario was that Gertrudis, true to her disciplined training remained still. He wasn’t sure he would be able to continue if she moved even one inch, He could no longer feel his lips and in fact could only feel the rake of his teeth against her skin pushing the bloodied slaver he managed to produce, up and down her back. Fifteen. The pain was beyond excruciating. He wanted to quit. He had not listened to Gertrudis when she warned of the agonizing torment. At the fifteenth stripe, he realized that he should have. His tongue, or what was left of it was a blackened stump and it took all his self-control not to sob and cry out. Fifteen, he told himself was a perfectly good outcome. Gertrudis herself said that she was fine, that she could manage. She was far better off with three lashes from the whip instead of eighteen, he rationalized. She would be grateful, eternally grateful. But even as he attempted to convince himself, all he could see in his mind’s eye was the smug expression of Sebastian Forza leveling the indictment of failure against him.
He bit back his anger and pain and started the sixteenth stripe and then the seventeenth without stopping. Eighteen. By the time he reached number eighteen, his tears were flowing unabated. The pain had radiated to encompass his entire face, his mouth, his throat and his viscera. He wanted to scream but no sound could travel through a throat so raw and mangled. But the result was worth the pain. Not one wound across her back remained. The skin was smooth and perfect. He had prevailed.
With the completion of the task, Koescu staggered backward crashing onto the floor, his internal organs feeling as if they were being rent in pieces and simultaneously consumed by acid. When Gertrudis turned to address him, she was unable to hide her horror and she crammed the hem of her uniform into her mouth to hold back the vomit that threatened to spew and soil the floor.
“Most Eminent Koescu!” she cried, “What have you done?!”
He turned to catch a glimpse of himself in the reflector, and despite the ravaged condition of his throat he screamed, he bellowed. Where only a half hour earlier a muscular handsome visage greeted him, at that moment a horrific mask of peeled away blistered lips, sallow eyes, and a blackened nub where a tongue had been were all reflected. His throat was shrunken and misshapen and his chest was black and green with boils the evidence of his swollen and blistered viscera desperately pushing outward, attempting to break the skin.
Gertrudis rushed to the door of the suite and bolted it shut saying, “Most Eminent Koescu you must drink. You must slake this thirst, now!”
Unable to speak, Koescu reached out to Gertrudis psychically as he rose from the floor his body wracked with pain, I will not, his thoughts alone causing pain as he ground them out, I can bear the suffering, I will bear the suffering. SLAP! A harsh, heavy sting across his face knocked him back to his knees.

“You fool!” Gertrudis hissed standing over him with balled fists, “It is not your suffering that concerns me. What do you think will happen to me if anyone in the household should see you like this?!
I – I was attempting to help, Koescu moaned through the psychic link.
“You were attempting to antagonize Sebastian,” she replied as she paced the floor, “and now look at you!”
I said what I meant, Koescu lamented, I will protect you from them.
“You think I am first and foremost worried about Sebastian and Yannara?” Gertrudis laughed hysterically, “They are the very last of my worries as there will be nothing left of me for Sebastian and Yannara to punish if anyone on the staff sees you like this!”
Gertrudis, do not worry, Koescu labored even in his thoughts, I will be fine.
“I know you will be fine, Most Eminent Koescu, because you will drink, and you will drink, now!”
~FOUR~

Koescu pushed away from his House Manager, raising his arms to hide the mass of charred, misshapen flesh and bone that was formerly his face, lying stubbornly through the link, I do not care to drink.
“The truth is, Most Eminent Koescu that since you witnessed my lashing at Isaac’s hands, without a doubt the thirst has occupied the majority of your thoughts,” Gertrudis said stepping toward him, gingerly, “And the row you had with Sebastian only momentarily slaked your thirst. You are in a terrible state of need, Majhones. Why do you not allow me to help you?”
Koescu collapsed onto the floor. He could no longer feel his feet. Searing pain radiated from everywhere in his body providing him a distinct sense of what the place Paradoxans called hell must be like. But even so, the continued presence of Gertrudis in his chambers coupled with the successful but painful healing rendered him a pointed, throbbing mass of need. And only the unbearable, soul scarring pain prevented him from attacking her, dragging her to the floor and endeavoring to drain her of nearly every vital fluid in her body.
“It does you no dishonor to admit it, Most Eminent Koescu,” Gertrudis said as she knelt beside him and gently raised his head, “Drink.”
Before Koescu could respond, Gertrudis’ fleams were engaged and piercing her wrist drawing blood. The sense of the vented blood, even in his deplorable state was intoxicating. He wanted to resist the urging but could no more deny the urge to slake the thirst than he could deny the admiration he held for his House Manager at that moment. He ravenously latched onto her wrist. He heard Gertrudis’ soft gasp as he drew back the first few draughts instantly calming the burning sensation in his mouth and chest. The next few bathed his bowels, and then his extremities. His skin, which had previously felt as if it was on fire began to cool. He could feel his face reshaping and reforming and his breathing again became smooth and even. His body ultimately relaxed and he fell satiated and smiling onto the floor.
“Come, Most Eminent Koescu, let me help you,” Gertrudis urged as she lifted him from his prone position and led him to the bed. Koescu rolled into the disheveled covers of the still unmade bed, not caring that his hair was fly-away and tangled or that his robe was open and askew. He found himself humming an old Abyssian tune nearly drunk with contentment. Even as he lay he could hear the birds singing outside his window; could smell the enormous varieties of plants that he had nurtured years long past but never truly enjoyed. He felt the motion of the bed as Gertrudis stood and prepared to continue her work. Without stirring from his relaxed position his arm shot out grabbing her by the wrist as he slurred, “I am lonely. Come lay with me, Gertrudis.”
“Your invitation is well-taken Majhones, but I must finish drawing your bath.”
“I am not up as yet. The bath will wait. Lay with me,” he said as he drew her back down onto the bed. An inordinately long silence followed, so much so that he wondered whether he had made his request aloud or just thought it. Then Gertrudis cleared her throat and remarked, absently, “Most Eminent, Koescu it appears that you are quite intoxicated by your drink and I believe… in danger of becoming… mischievous.”
“Mmm,” he growled contentedly not countenancing anymore of her words as he brusquely pulled her body down onto the bed beside him reveling in her softness as he began to doze. He marveled that he felt no pain, no pain at all… not even the daily pain he had become used to over the past hundred years. It was a miracle… miraculous… “Leviathan,” he sighed and slipped off into a deep sleep.

Penelope Flynn creates mixed genre adult-targeted speculative fiction and illustrations featuring elements of dark fiction, horror, suspense, science fiction, fantasy, and erotica and erotic romance. Her works are included in the Dark Universe anthologies, Steamfunk, Scierogenous II, and SLAY: Stories of the Vampire Noire. She authors the Sci-Fi/Horror/Erotica mash-up series, the Chronicles of Renfields, and co-edits and contributes to the Blerdrotica Black erotica anthology series. She is a member of the Horror Writer’s Association and has joined the faculty of the Speculative Fiction Academy. She has appeared on panels for World Fantasy Con, WorldCon, MultiverseCon, Blacktasticon and the FAMU Literary Forum. Penelope Flynn moderates and co-hosts the weekly podcast, Discussions From the OTHERhood and heads Prolific Hybrid Multimedia. https://www.penelopeflynn.com/
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2023 Black Women in Horror List – Part 2

February is African American History Month here in the United States. In 2013, when this series began, it was also Women in Horror Month (WiHM). In 2013, as an Ambassador for Women in Horror Month, the original book 60 Black Women in Horror was born during the intersection of the two. . Over the next five years, the world women writing horror from the African Diaspora nearly doubled. and 100+ Black Women in Horror, a 2018 update, containing 109 biographies, was born. Now, in 2023, five years after 100+ Black Women in Horror, the list is once again being updated, to include over 40 new names compiled in a new book, 150 Black Women in Horror.
Here is the second list consisting of 10 biographies of women who will be listed in the new book.
Tara Campbell
With a BA in English, MA in German, and MFA in Creative Writing, Tara Campbell has a demonstrated aversion to money and power. Originally from Anchorage, Alaska, she has also lived in Oregon, Ohio, New York, Germany and Austria. She currently lives in Washington, D.C. She received the DC Commission on the Arts and Humanities’s 2016 Larry Neal Writers’ Award in Adult Fiction, 2016 Mayor’s Arts Award for Outstanding New Artist, and Arts and Humanities Fellowships for 2018 – 2022. She is also a 2017 Kimbilio Fellow and winner of the 2018 Robert Gover Story Prize. Tara earned her MFA from American University in 2019, and is a fiction editor at Barrelhouse. She teaches fiction with American University, Johns Hopkins University’s Advanced Academic Programs, the Writer’s Center, Politics and Prose, Catapult, and the National Gallery of Art’s Virtual Studio. Twitter: @TaraCampbellCom Instagram: @thetreevolution Mastodon: @TaraCampbell@writing.exchange Facebook: CampbellTaraP
LC Son
Known for her Amazon Best Selling Short Story, With Hearts Like Fire and the epic series starter, Beautiful Nightmare, L.C. Son is the happy wife of more than twenty years to her high school sweetheart and the loving mom of three. LC believes life finds the most interesting ways to throw dark fantasy into her real life. As a current Lupus warrior, she likes to joke about the irony of living with an illness that is both rooted in the word wolf while also limiting her time in the sun. Finding such duality in her own life allows LC to pull from a deep place of creativity to affectionately write about the monsters who live in her head. Presently, she’s working on the next installment in the Beautiful Nightmare series where you’ll find an abundance of vampires, wolves, and all manner of things that go bump in the night. Find her online at Instagram: author_l.c.son, Facebook LCSonBooks, and at her website: www.lcsonbooks.com
Tracy Cross
Tracy Cross’s work has been featured in several podcasts and mass-market anthologies. Her first book, Rootwork, was published by Dark Hart Publishing in 2022. She lives in Washington, DC, and is an active member of the HWA.. She is on instagram as tracycrosswrites and twitter as tracycwrites.She loves disco and shares her latest exploits and information on her blog: tracycwritesonline.com
Tiffany D. Jackson
Tiffany D. Jackson is the NYT Bestselling, award-winning author of YA novels Monday’s Not Coming, Allegedly, Let Me Hear A Rhyme, Grown, White Smoke, Santa in The City, The Weight of Blood, and co-author of Blackout. A Coretta Scott King — John Steptoe New Talent Award-winner and the NAACP Image Award-nominee, she received her bachelor of arts in film from Howard University and has over a decade in TV/Film experience. The Brooklyn native is currently splitting her time between the borough she loves and the south, most likely multitasking. Follow her online on Twitter @WriteinBK, Instagram @writeinbk https://www.writeinbk.com/
Ebony Bowser
E. Bowser is an author of paranormal romance, Fantasy, and Horror Fiction. She writes whatever stories her imagination can conceive. E. Bowser has always wanted to write a story that people would like to read and would fall in love with the characters. she loves when readers give their feedback so she can make her next book better. E. Bowser loves to read herself and takes great pleasure in doing so whenever she has the chance. E. Bowser started writing short stories about life, anything horror or paranormal when she was in middle school and still has not stopped. E. Bowser has been an independent self-published author since 2015 and has no plans to continue as long as her characters keep talking.Follow her on Facebook @authorE.Bowser, Twitter: @ebowser0110, Instagram: @e.bowserbooks, linktr.ee @AuthorE.Bowser, www.ebowserbooks.com
Kish Knight
Kish Knight is a New Adult and Young Adult urban fantasy, paranormal romance and teen thriller author. Her forever goal is to create fun, escapist novels with characters of color or otherwise. She is the author of the following projects: the Dark-Inferno urban fantasy novels, the Returned urban fantasy series, the Immortal Blood young adult urban fantasy series, and the Senior Year young adult contemporary series. She has also the author of a middle grade novel, Our Crew PLUS boys! (under the pen name Cher Cabal). Her current round of busywork involves developing a plethora of design documents for her latest e-book series. Follow her on Twitter @AuthorKishKnigh, Facebook: kish.knight, YouTube: @CherP1000 Website: www.kishknight.com/
Tonia Ransom
Tonia Ransom is the creator and executive producer of NIGHTLIGHT, an award-winning horror podcast featuring creepy tales written by Black writers, and Afflicted, a horror thriller best described as Lovecraft Country meets True Blood. Tonia has been scaring people since the second grade, when she wrote her first story based on Michael Myers. She’s a World Fantasy Award Winner, and This is Horror Award runner-up. She lives in Austin, Texas. You can follow Tonia @missdefying on all the socials. Risen is her debut book. https://nightlightpod.com/
KC Loesener
KC Loesener is the author of The Eve of Darkness and several horror short stories. Proud introvert, bird lover, and a huge horror fan, KC is a horror content creator and writing coach, teaching new writers to focus and write their manuscripts in four months. Besides writing horror, KC loves a good ghost story. The paranormal, vampires, and werewolves exhilarate KC, who loves punk and grunge and desperately misses the 90s. Superhero movies and comics are a necessity. KC enjoys creating complex characters that rise to discover themselves.Youtube and Instagram: @kcfinalgirl kcloesener.com
Erin E. Adams
Erin E. Adams, author of Edgar and Lefty award-nominated Jackal, is a first-generation Haitian American writer and theatre artist. A 2022 Kimbilio Fellow, she received her B.A. with honors in Literary Arts from Brown University her M.F.A. in Acting from The Old Globe and University of San Diego Shiley Graduate Theatre Program and her M.F.A. in Dramatic Writing from NYU Tisch School of the Arts. An award-winning playwright and actor, Adams has called New York City home for the last decade. Jackal is her first novel. Twitter/Intsa/Facebook: @iameeadams www.erineadams.com
Eugen Bacon
Eugen Bacon is an African Australian author of several novels and fiction collections. She’s a 2022 World Fantasy Award finalist, and was announced in the honor list of the 2022 Otherwise Fellowships for ‘doing exciting work in gender and speculative fiction’. Her short story release Danged Black Thing made the 2021 Otherwise Honor List as a ‘sharp collection of Afro-Surrealist work’. Recent books: Mage of Fools (novel), Chasing Whispers (collection) and An Earnest Blackness (essay collection). Eugen has two novels, a novella and two anthologies (ed) out in 2023, together with the US release of Danged Black Thing. Visit her on Twitter feed at @EugenBacon and website at eugenbacon.com.
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Remember Her Name: L.A. Banks Is Black Lit History
By Kai Leakes
Black History Month is here. Every year my mind stays on how to honor our Black literature icons, especially our Black Women of Horror. Well, thankfully this month is Black Women in Horror Month, and as a proud contributor of the genre, I am shouting to the rafters as always to remember and celebrate all things L.A. Banks.

L. A. Banks was named a 2010 Living Legend by the Black Alumni Society of the University of Pennsylvania and was the recipient of the 2009 Romantic Times Booklover’s Career Choice Award for Paranormal Fiction. She was also named one of Pennsylvania’s Top 50 Women in Business for 2008 and won the 2008 Essence Storyteller of the Year award. Ms. Banks has written over 42 novels and contributed to 23 novellas. She mysteriously shape-shifts between the genres of romance, women’s fiction, crime/suspense thrillers, and paranormal lore. She was a proud member of The Liars Club, a Board of Trustee member for the Philadelphia Free Library, and served on the Mayor’s Commission on Literacy. Banks was a graduate of The University of Pennsylvania Wharton undergraduate program with a Master’s in Fine Arts from Temple University. She was a full-time writer who lived and worked in Philadelphia.
Leslie Esdaile Banks passed away at the age of 51 in August 2011 to cancer, at the height of her career, and shortly after giving a speech at the White House on the problems of healthcare for entrepreneurs. – In Remembrance of L.A. Banks, 1959-2011 | Tor.com
LA Banks is the Memorial Guest of Honor at Readercon 32 this year July 13 – 16, 2023 at the Boston Quincy Marriott in Quincy, Massachusetts

Mama Banks, as us OG followers of her works (aka Street Team) lovingly called her, feels to me as if she has been relegated to an echo in the mainstream literary world, when truly she was a griot who inspired many and has been/still is imitated by many. So, I write this in hopes to inspire readers old and new to shout her name. I hope you all make all of the Book Toks and Instaposts in honor of her and her book series and add her to your lists of books to read. Too many have eaten off her influence and not uttered her name. Meanwhile, we as fans all sit and wait in hopes that her IP stops lingering in limbo. We hope that her works will be placed in trustworthy hands by her estate, so her books are produced in a quality, well-funded, respectfully adapted series, and in movies by Black folk and a diverse collective who know her voice and spirit.
It’s beyond time that we Black and NB-POC folks get to see ourselves represented in a genre that Hollywood often erases us from or relegates us to tokenism in. We deserve to be given a quality big budgeted production of vamps, werewolves, and more. We deserve to see ourselves desired, pined for, lusted after, and having all the delicious supernatural sex. We deserve to see mofos get their asses handed to them in abundance. More Blade (which we are getting) and next the works of L.A. Banks.


Outside of that, we deserve to see our communities represented in protecting each other, our kids, and teens, and connecting with each other in healthy and even challenging ways.
At the end of the day, we deserve more Black, Brown, Asian, Indigenous vamps, werewolves, witches, hunters, and more, all represented in their spectrum of love, desire, and care. L.A. Banks gave us that. Mama Banks showed us that. She also spoke truth to the world and predicted a lot of things that we see going on today. She should be mentioned right there with Octavia Butler and others as an influencer, with her name on a shirt as well.
L.A. Banks deserves to have her stories told by a network and production company that would support her work and pay well for her stories. It’s time to make it so. Please remember L.A. Banks and all of her books, speculative (horror, thriller, urban fantasy, para romance) and romance; she is Black Literature History. You can still buy her works at all major book outlets.
To read a more extensive tribute to Mama Banks for Black History Month you can read my first tribute to her at Horror Addicts.
Born in Iowa, but later relocating and raised in Alton, IL, and St. Louis, MO, Kai Leakes was an imaginative Midwestern child who gained an addiction to books at an early age. The art of imagination was the very start of Kai’s path of writing which led her to creating the Sin Eaters: Devotion Books series and continuing works. Since a young child, her love for creating, vibrant romance and fantasy-driven mystical tales, continues to be a major part of her very DNA. With the goal of sharing tales that entertain and add color to a gray literary world, Kai Leakes hopes to continue to reach out to those who love the same fantasy, paranormal, romantic, sci/fi, and soon, steampunk-driven worlds that shaped her unique multi-faceted and diverse vision. You can find Kai Leakes at: www.kaileakes.com

Learn more about Kai Leakes in 100+ Black Women in Horror, a comprehensive guide to some of the most powerful voices on the scene. Click here for a free download of the current version, then come back in March for the newest version updated with dozens of new entries!
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On Darkest Night of Faerie Bright

The image is from Ancient Origins, go there to learn more about the terrifying history of the Tooth Fairy On Darkest Night of Faerie Bright
by Sumiko Saulson
First published in the 2021 Horror Writers Association’s Poetry, also appears in the poetry collection The Rat King
Pick up a free copy of The Rat King for the rest of the month of February 2023 on Smashwords with coupon code: RJ37E
In an anxious child’s maw wiggles a single tooth
When he bites on a carrot, it comes hastily loose
Sell it off late at night for the price of two quarters
To the grim faeries famously known as tooth hoarders
–
Ignorant parents open windowpanes wide
To invite all the night’s hungry faeries inside
Little thieves glimmer bright stealing teeth in the night
Shining like fireflies in the low firelight
Faerie flight enters tiny, aloft glowing sprite
But they stretch and they grow to an enormous height
–
Talon-like fingerclaws drag on the ground
On the floorboards they scrape, such a nail-biting sound
Sunken eyes of deep red glowing like a hellhound
Rows of sharp shark-like fangs gracing sardonic grin
Three-inch denticles stretching from nostril to chin
These can easily slice through a soft human’s skin
–
How the bright faerie drools, all its hunger to sate
Inhaled lovely aromas arouse its palate
For the teeth of a child aren’t its only cuisine
Nor the only ones that it enjoys loosening
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Upstairs yon tot’s grandmother restlessly sleeps
In her nightmares preparing, she quietly weeps
For a long finger prying most gently in mouth
As it loosens her teeth to the north, east and south
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It inhales her last breath ‘til there’s nothing to save
For she won’t need to take all her teeth to the grave
When the morning arrives, see her grizzly demise
Cold coins lying on each of her dead, sunken eyes
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2023 Black Women in Horror List – Part 1

February is African American History Month here in the United States. In 2013, when this series began, it was also Women in Horror Month (WiHM). In 2013, as an Ambassador for Women in Horror Month, the original book 60 Black Women in Horror was born during the intersection of the two. . Over the next five years, the world women writing horror from the African Diaspora nearly doubled. and 100+ Black Women in Horror, a 2018 update, containing 109 biographies, was born. Now, in 2023, five years after 100+ Black Women in Horror, the list is once again being updated, to include over 40 new names compiled in a new book, 150 Black Women in Horror.
Here is the first list consisting of 10 biographies of women who will be listed in the new book.
Denise Tapscott
Denise N. Tapscott left her heart in San Francisco, but somehow managed to leave her soul in New Orleans. She enjoys dining on spicy tuna rolls, sharing a bottle of red wine with friends, and watching the latest monster flick, and from time to time this radiant left-handed pirate will even challenge others to a fencing match. She recently joined the podcast Beef, Wine and Shenanigans with Steven Van Patten, Marc Abbott and Kirk A Johnson and can be seen as “Tasha” on the YouTube web series The Vamps Next Door. She published her first novel Gypsy Kisses and Voodoo Wishes as well as the short story The Price of Salvation. She’s currently working on a collection of short stories called The Friends and Foes of Zenobia and a sequel novel, Enlightening of the Damned. Find her on Twitter: @DeniseNTapscott, Instagram:@piratesunny, Facebook: @TheDeniseNTapscott. www.denisetapscott.com
Aziza Sphinx
A techie by trade and writer by necessity Aziza Sphinx is a hybrid author who has been writing and publishing professionally for over 20 years. She fell in love with science fiction, fantasy, and the darker things in life as a child watching Dr. Who and reading Choose Your Own Adventure books. The author of gown- folks speculative fiction that blurs the lines between transpersonal psychology, fantasy, and sanity, she’s had fairytale remakes, short stories, and speculative poems included in a wide range of anthologies and ezines. When not sharing her knowledge and experience of overcoming ‘writer’s avoidance’ with others, Aziza spends her nights playing in the shadows with her vampires, demons, wraiths, and reapers. She also occasionally plays in the light and entertains the undead. www.azizasphinx.com
Tamika Thompson
Tamika is a writer, producer, and journalist. She is author of speculative fiction collection, Unshod, Cackling, and Naked (Unnerving Books), which Publishers Weekly calls “powerful,” “unsettling,” and “terrifying,” as well as author of horror novella Salamander Justice (Madness Heart Press). Her work has appeared in several speculative fiction anthologies as well as in Interzone, Prairie Schooner, The New York Times, and Los Angeles Review of Books, among others. She received a Bachelor of Arts in Political Science from Columbia University and a Master of Arts in Journalism from the University of Southern California. She lives in the San Francisco Bay Area. Find her on Twitter and Slasher @tamikathompson and online at tamikathompson.com.
Beatrice Iker
Beatrice Winifred Iker is an author and poet whose work can/will be found in FIYAH Magazine of Black Speculative Fiction, Anathema Magazine, Nightmare Magazine, the Death in the Mouth horror anthology, and others. Iker is a Voodoonauts Fellowship alum, co-host on the Afronauts Podcast, and a member of the Horror Writers Association (HWA). Originally from East Tennessee, Iker lives in New England with a wonderful husband, many cats, and a robust tarot deck collection. You can find Iker on Twitter (@BeatriceIker), Instagram (@beatricewinifrediker), or through the website beatriceiker.com
Wi-Moto Nyoka
Wi-Moto Nyoka is a horror and sci-fi writer. She is the founder of Dusky Projects, creating and producing horror & sci-fi projects for young adult and adult audiences.
Awards and honors include: Stowe Story Labs selected project, Puffin Foundation grant recipient, Awesome Foundation grant recipient, Velocity Fund grant recipient, Scribe Video Finishing Grant recipient, Nightmares Film Festival Best Short Screenplay Award Winner, 13 Horror Screenplay Award Winner, Oregon Short Film Festival Best Horror Teleplay Award Winner and more. Published works can be found in Midnight & Indigo’s Speculative Fiction collection, Terror Unleashed: Volume 2, The Seelie Crow and The Last Girls Club. IG: @duskyprojects, wi-motonyoka.com
Penelope Flynn
Penelope Flynn creates mixed genre adult-targeted speculative fiction and illustrations featuring elements of dark fiction, horror, suspense, science fiction, fantasy, and erotica and erotic romance. Her works are included in the Dark Universe anthologies, Steamfunk, Scierogenous II, and SLAY: Stories of the Vampire Noire. She authors the Sci-Fi/Horror/Erotica mash-up series, the Chronicles of Renfields, and co-edits and contributes to the Blerdrotica Black erotica anthology series. She is a member of the Horror Writer’s Association and has joined the faculty of the Speculative Fiction Academy. She has appeared on panels for World Fantasy Con, WorldCon, MultiverseCon, Blacktasticon and the FAMU Literary Forum. Penelope Flynn moderates and co-hosts the weekly podcast, Discussions From the OTHERhood and heads Prolific Hybrid Multimedia. https://www.penelopeflynn.com/
Michelle Renee Lane
Michelle Renee Lane holds an MFA in Writing Popular Fiction from Seton Hill University and recently joined the faculty of the Speculative Fiction Academy. She writes dark speculative fiction about identity politics and women of color battling their inner demons while fighting/falling in love with monsters. Her work includes elements of fantasy, horror, romance, and erotica. Her short fiction appears in several anthologies and has been featured on The Wicked Library podcast. Her Bram Stoker Award nominated debut novel, Invisible Chains, is available from Haverhill House Publishing. Her nonfiction can be found at Medium, Speculative Chic, and in Writers Workshop of Horror 2. Follow Michelle’s blog, Girl Meets Monster, at michellerlane.com/.
P.M. Raymond
P.M. Raymond hails from New Orleans but currently lives on the East Coast with 27 cookbooks and an imaginary dog named Walter. You can find her enjoying a café au lait and indulging in the storytelling mastery of Shirley Jackson, M.R. James, Joe Hill, Tananarive Due, and manga maestro, Junji Ito. Her work has appeared in Flash Fiction Magazine, Kings River Life Magazine, Dark Fire Fiction, Pyre Magazine, The Furious Gazelle, Dark Yonder, and Rock, Roll, and Ruin anthology from Down & Out Books. Follow her on Twitter or find her at www.pmraymond.com.
Cherrae L Stuart
Pronouns: She/Her/Hers. Member: HWA, SAG. Cherrae L. Stuart has worked for over a decade in broadcast television and as an independent filmmaker in Los Angeles. She lends her voice to many up and coming horror authors as a regular narrator for the Nightlight Horror Podcast, Pseudopod and Cast of Wonders, and the new hit, Horror audio-drama Afflicted. Cherrae has BAs from UNC-Chapel Hill in Dramatic Arts and Film/Television. She has several horror stories that have been produced for The Reading Horror Podcast and is the creator and head writer for the Dystopian Scifi Comedy Series Good Morning Antioch a pitch-black comedy space opera following a derelict mining ship as they navigate working for the MostEvil™ company in the Galaxy. You can listen to her latest horror short story 3115 Wicker Street on the NightLight Horror Podcast. She is currently shopping her first novel. www.CherraeLStuart.com
Mo Moshaty
Mo Moshaty is an Afro-Latina screenwriter, author and producer. Co-founder of the Nyx Horror Collective, she’s partnered with Stowe Story Labs to provide a fellowship for women genre writers over 40 and with horror streaming giant, Shudder Channel, to co-produce the 13 Minutes of Horror Film Festival 2021 and 2022. Still engaging with her first love, short horror literature, her work can be found in A Quaint and Curious Volume of Gothic Tales, by Brigid’s Gate Press and 206 Word Stories by Bag O’ Bones Press. In 2023, Love the Sinner with be published with Brigid’s Gate Press and in 2024, Clairviolence will be published with Spooky House Press. Mo has lectured on Trauma in Cinema with Prairie View A&M Film & TV Program, Horror Studies BAFSS, and The University of Sheffield in the United Kingdom
www.momoshaty.com/ -
Into the Nothingness
by R. J. Joseph

Chantale is a graduate student who has lived in the southern United States her entire life. Once she decides to attend grad school in a northern state, she is introduced to snow. Alien and somehow off, the frost proves itself to be as all encompassing as it appears.
The ice covered the lake like the film on a corpse’s eyes. I could make out swirling patterns I wanted to pretend made up the water, still alive beneath the nothingness. But I knew better. Nothing could survive the wrath of the snow and freezing temperatures. I had a friend who was a social worker who claimed to turn off her diagnosing when dealing with her friends on a personal level but really didn’t. She’d told me point blank, “It’s just snow. It happens all the time in other parts of the country. You’re simply afraid of new things and going to graduate school is the unknown you’re actually afraid of. And even though you ought to be used to it by now, you’re a little afraid of being one of the few Black bodies on that campus.”
She was wrong. The snow was wrong.
I hadn’t travelled much but I wasn’t afraid of the airplane ride. And despite what my sister friend said, I wasn’t afraid of being the only Black person on campus. I didn’t run into very many writers of color in academia so I figured that was part of the game.
I just hadn’t been prepared for the blanket of white covering everything miles below the aircraft. Even from our flying height, there were miles and miles of blank emptiness. The stark landscape was interrupted every so often by a gray, lifeless tree, or a dingy plowed road through the ice. I was amazed at how much detail I could see from the window.
I was amazed that the major details to be seen were the snow and ice.
I grabbed my cell when the plane slid into the gate at O’Hare to pick up more passengers. I turned it on and sent a text.
“The snow has taken the airport hostage. Looks like a beach of white.” That was the only thing I could liken my alien view to. The airport did have the infinity of the sea, the white blanket of snow all that existed between the airplanes on the tarmac and beyond.
Making my final landing in an area that was similarly covered did nothing to improve my outlook.
I walked outside to the shuttle bus and the shock of the cold sank into my bones. It wasn’t that the cold was uncomfortable—I actually welcomed it in opposition to the humid seventy-degree weather Houston called winter. But the frigid ache gripped my teeth and sent my wide welcoming, Southern smile into hiding.
I holed up for the night in a hotel room that was stifling hot. I turned on the air conditioning and flipped to the weather channel. Didn’t that beat all. The area was expecting the most snowfall it had seen in several years. Obviously, because I had come to the area. I settled into bed, half under the covers and half out, falling asleep to the rhythm of the flakes shadow dancing against the window.
The next morning found me staring out the same window, marveling at how the snow was still there. I couldn’t have said where I’d expected it to go. It just seemed so…permanent. Elementary school science nipped at the back of my brain. As long as the temperature stayed below thirty-two degrees, the ice would not melt.
I bummed a ride to the campus and took in more of the dead world beneath the chilling blanket. The snow was falling again, and on the walk up the hill, the tiny flakes skittered across my face and hands like chilled feet. I laughed at the fluttery, tickly dance, then painfully remembered I couldn’t walk outside with my mouth open. I smiled with tight lips and bent to touch the fallen performers. They melted as soon as I stretched out my hand to examine them, and an unexpected sadness overcame me at having caused the demise of such cheerful creatures. A classmate suggested I get gloves to further my examination, and I was thankful for the suggestion.
They lasted longer atop my gloved hands, and I squinted to try and identify the distinct crystals that made up each flake. All I saw instead was tiny clumps of ice.
I brushed the remnants from my hands and tipped across the campus yard as quickly as I dared in my cowboy boots. I’d been thinking warmth and comfort when I’d packed the Texan stereotypes, not traction. I walked on the outside of an overturned bench. The snow had piled up on both sides of the seat and was threatening to cover the side that was face up. Small blue spheres lined the sidewalk and the snow seemed to retreat from them. There were no blue circles around the bench.
I knew I was running behind for class, but I had to know what that was about. I waved to the first handyman I saw. “Hi. What is that blue stuff?”
His eyes crinkled up and his smile stayed just below an outright laugh. “The blue stuff on the ground?”
I nodded.
“That’s salt.”
“Salt?”
“Yep. It keeps the snow off the sidewalks and the roads.”
“How does it do that? Is it a chemical reaction?”
This time he did laugh. “You’re not from around here?”
I returned his smile. “No. I’ve never seen such a thing as all this white. And this blue.”
“It’s something like a chemical reaction that keeps the ice from building up on the places we need to get around town.” He shrugged his shoulders. “Keeps roads and sidewalks clear of ice. Not magic, simple chemistry.”
“Thank you. I appreciate that explanation. Now I know how this thing goes.” I turned to leave, and his laugh followed me into the building.
I took a seat next to the window in class and remained mesmerized by the weather. The snow fell non-stop for the couple of hours I was supposed to be learning. The class was interesting, but I was spinning my own story. The snow was a creature. It created and lived in a cold, bleak world. And it took over everything in that world, eventually, because it was indestructible.
I watched out the window as the snow fell on the massive school building, covering the entire spired top and slanting down the slopes to the ground around the building. Within a couple of hours, the grounds were covered with a foot of snow. The view was pretty in its sparkly white, where the waning sun made glitter between the crystals.
During our first break, someone suggested sledding down the big hill in front of the campus on lunch trays. My heart thudded at the thought and I was ecstatic when the idea was talked down. I was hardly getting used to seeing the snow; I certainly didn’t’t want to actually get in it and engage with it. I walked outside, onto the patio. Further examination of the flakes found them to be light and airy, so the piles it made were higher than they would have been if the ice were compact.
I’d have thought I would have felt better about the light snow, but instead it felt off in a way I couldn’t explain. I leaned on the gate that surrounded the veranda and looked over into the back courtyard where I’d come in. There was a larger white expanse over the yard than there had been that morning.
I returned to class and sat at the front so I couldn’t be distracted by what was going on outside the school. I managed to concentrate during the last part of the day. The entire class time had not been wasted with me daydreaming out the window.
We all packed up to go to dinner, but I stayed behind so I could have my mentor meeting on time. There wasn’t enough of a time gap for me to leave the campus, so I would wait in the library. All I needed was a quick snack from the bookstore. Everybody jetted off quickly and the campus felt extra desolate in the cold, dark night. The moon already shone high in the clear sky, and the air smelled of frost.
I took tentative steps onto the sidewalk heading towards the bookstore. Two other benches lay on their sides, already covered in snow. Three lumps of white stood where upright benches had been. I tipped slowly along the sidewalk. The blue lines had grown closer together and I felt like a model on a catwalk, trying to get my feet within the blue lines that made up less than half the sidewalk. Behind the new salt lines were new snow lines.
The bookstore was closed and I peered out at the sidewalk that would take me around the courtyard and to the library. I could get there much faster if I cut across the yard. I took a slow step onto the snow on the sides of the sidewalk. My foot sank as if inside a newly dried marshmallow, crunchy on the outside but still squishy on the inside. The feeling was unsettling, but still I proceeded. My next step fell into a section of ice that was even softer. Steadily, I made my way to the middle of the yard, halfway to the library. I glanced at the landscaping alongside me and my next step took me sliding directly into it. For moments, I couldn’t catch my breath as I lay flat on my back. I shouldn’t have left the sidewalk.
The snowflakes began their wild dance across my face and my uncovered neck. Fluttery before, the routine was harder this time, more purposeful. I struggled to wipe the ice off my face, but more crystals covered the areas I wiped. They came down into my mouth and my eyes, until I closed them both. The heat of my body did not melt the flakes. Instead, they expanded and covered my throat and marched down into my esophagus and into my stomach.
I gagged, but I couldn’t expel the ice. I willed my arms to move so I could turn myself over, but the appendages couldn’t obey from underneath the flakes that covered them and pinned them down. As my stomach froze from the inside out, and my breath burst out of my nose in frosted spurts, I understood the mistake I’d made.
I should have stayed on the sidewalk. Although the snow was pushing its way through the markings, the salt was magical, having been used for millennia to defend against unearthly creatures. Someone else may not have realized the snow was alive, but I had. I’d known it when I’d first seen the blankness from the airplane.
How had I expected to live beside the nothingness, when everything would eventually wind up beneath it? My thoughts grew hazy, fuzzy on the edges like the frost on the window of a warm room. There was no more warmth for me. I faded into the nothingness.

R. J. Joseph is a Texas based writer and professor who must exorcise the demons of her imagination so they don’t haunt her being. A life long horror fan and writer of many things, she has recently discovered the joys of writing in the academic arena about two important aspects of of her life: horror and black femininity.
R. J. Joseph is also a nominee in the 2022 Bram Stoker Awards for Superior Achievement in a Fiction Collection, for her book ‘Hell Hath No Sorrow Like a Woman Haunted’.
Learn more about R.J. Joseph in 100+ Black Women in Horror, a comprehensive guide to some of the most powerful voices on the scene. Click here for a free download of the current version, then come back in March for the newest version updated with dozens of new entries!

